

I have just finished the second of five showroom days at Rick Owens after doing the show a day before. For the uninitiated, a showroom is a place where purchasers from all over the world come to order the clothes they will sell in their store at ridiculously high prices. The models serve as walking mannequin dolls showing how the clothes fit. All pretty boring really (and a health risk, I‘m not coming near the American customers, knowing that one million of them have got the Mexican flu).
One of the other two models does not seem to realise that it’s not of him, but of the clothes that customers are taking pictures (though my bottom has been photographed a gazillion times by now). Worst of all, he treats the really friendly dressers like shit. All of these girls are in fact freshly graduated fashion designers who get paid very little for very long days (5 euro/hour approximately). It angers me to see people treated like this. Arrogance like this is of course common in this world of superficiality. Like the way that model looks down on the dresser, so do some of the clients take models for “little people”, basically ignoring them as human beings. All I’m trying to do is joke around and talk with them and make their and my day go by a little faster.
I look for him knowing he’s not here. I take steps I remember him taking next to me. My tired eyes are hidden behind sunglasses, without which they’d reveal someone who looks like he’s been eternally waiting for a bus. I sat in a chair he was sitting in when an older woman called us beautifully androgynous. Nobody makes statements like this when you’re waiting for a bus.
I don’t know why this melancholy befalls me, maybe the lack of sleep is to blame. Walking in circles, constantly looking for a trace of him. A shop he liked, a book I bought for him. I don’t feel like talking to anyone but him.
I am cast for the role of walking mannequin for another Rick Owens show. I know he will like this, and he might like the decorative wallpaper pasted against the outer walls of my body. Maybe I do part of this for him, to show that I care about things that interest him (and also for some narcissistic ego boost, I’m sure).
I am at a bad restaurant we ate at. The waiter doesn't like me, but that is his right. The food is still bland.
I sit there, watching city life pass by. Nobody here knows that I am missing a piece of mine.

"Chris Winston – The Creation of an Alter Ego
This photographic/video installation introduces Chris Winston, an alter ego of the artist who finds himself trapped in a cube-like cell. Chris’ life is recorded with a security and mobile phone camera and edited to make episodes for an online reality TV-show (www.chris-winston.com). Of every episode, there is also a surreal and highly-detailed photograph that contrasts the pixelated quality of the videos. These photographs lay bare the fictional construct of Chris’ life, something the videos on the website cannot accomplish. Chris’ body is nothing but a sculpture to which the medium used gives its meaning. The different voices in this project all tell a different story (there is also a blog and a Facebook page with Chris’ name) and it is up to the individual spectator to make sense of it all, whether he sees the project as a whole in an artistic environment or just the video website in the privacy of his own home, a place where his voyeurism will not be obstructed by the people around him. There is no longer just one truth, just an infinite clash of opinions and only the most violent expression is the one that gains most weight. Film and photography are questioned by exposing their deceitful nature and obvious links are made to Abu Ghraib photos and other news items that only became “reality” thanks to mobile phones and internet. On a personal level, it is the artist’s search for intensity and artistic involvement he feels lacking in a lot of contemporary art."
This is what the installation looked like...





I was cycling home from school and when crossing a half-busy shopping street, I slowed down for oncoming pedestrians, as the gentleman in me usually does. An older woman crashed into me from the right (quite badly I thought), surprising me because she should of course have noticed the big blue bike very slowly making his way through a small crowd. In a spontaneous reaction, I apologised and asked if she was okay, softly grabbing her shoulder to let her know I was sincere. There are several things one might expect from an older lady...
1) "Oh, how dare you! You asshole!"
2) "Yes, I'm fine, no worries!" (while she could have her arm broken, Belgians just prefer to avoid sharing this personal information with strangers)
3) "HELP! This guy is trying to rob me! HELP! He even held my arm!"
But instead of this, she just stared vacantly into the void, as if she had no recollection of what happened just a fraction of a second earlier. I looked into her eyes, but she didn't respond, all I got was a confused and dazed look. She made no sound and only seemed to hope she could continue her intended path. I imagined her being on Valium or some other kind of tranquilizer, just because of the blankness in her stare.
So many people walk around like that, forced to live a life of numbness, the slightest emotion, whether good or bad, stumped to a far away flickering of light, all because of some mood alternator. An ideal world for a great number of companies, not just pharmaceutical, would be if everyone were like this woman: quiet, neutral, distant and unable to express any emotions.
I looked at her as she paced away steadily into the crowd, still hoping I had not hurt her. And nothing happened.













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